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HELEN ADAM, I Love My Love, the fourteen-stanza ballad with 16 prints by KIKI SMITH, in accordion-fold format, in box, November 2009. |
1. Book I of Don Quixote by Miguel de Cervantes, translated by Edith Grossman, with 42 prints by William T. Wiley, November 2009.
[Book II will be forthcoming in 2010.]
2. I Love My Love by Helen Adam, the ballad, with 16 prints by Kiki Smith, 2009.
3. Mrs. Bridge, the novel by Evan S. Connell, with an introduction by Mark Oppenheimer and 68 photographs by Laurie Simmons, 2009.
4. Sampler, a selection of the poetry of Emily Dickinson with prints by Kiki Smith in the manner of sewn samplers, 2007.
5. Godot, an imaginary staging by William T. Wiley of the play by Samuel Beckett, introduction by David Littlejohn, program note and synopsis by Andrew Hoyem, 52 prints and afterword by Wiley, with Grove Press bilingual edition, 2006.
6. A Coney Island of the Mind, poems by Lawrence Ferlinghetti, with a portrait of the poet by R. B. Kitaj, 2005.
7. Gloria, poems by Bill Berkson, with 25 etchings by Alex Katz, and with an extra suite of the prints, 2005.
8. Thirteen watercolor drawings by William Blake illustrating Paradise Lost by John Milton, full-scale facsimiles, with commentaries by Robert N. Essick and John T. Shawcross, to accompany No. 64, 2004.
9. Squarings, a sequence of 48 poems by Seamus Heaney, with 48 drawings by Sol LeWitt, introduction by Helen Vendler, 2003.
10. Paradise Lost by John Milton, a new text edited by John T. Shawcross, with an intro-ductory essay by Helen Vendler and a note on the text by Shawcross, 2002.
11. The Ballad of Lemon and Crow by Glenn Todd, new fiction, with 6 photogravures by Bruce Conner, with a suite of 6 larger prints, 2002.
12. The Voices of Marrakesh by Elias Canetti, translated from German by J. A. Under-wood, with 29 photographs by Karl Bissinger and with 6 etchings and a large etching, from which the prints in the book are taken, by William T. Wiley, 2001.
13. Ape & Cat, 18 photogravures by Jim Dine in an accordion-fold album, with The Madonna of the Future by Henry James, with an introduction by Arthur Danto, two volumes in box with lead-alloy bas-relief sculpture by Dine on lid, 1997.
14. Lie, Sit, Stand, Be Still by Michael McClure, introduction by the poet, 24 sheets of poetry interleaved with 24 lithographs by Robert Graham, in box with bronze bas-relief sculpture by Graham, 1995.
15. The Case of the Wolf-Man by Sigmund Freud, the case history, with an introduction by Richard Wollheim and with 5 etchings and 6 woodcuts by Jim Dine, 1993.
16. Biotherm, by Frank O’Hara, the last long poem (1962), with 42 lithographs by Jim Dine, sheets in portfolio, with a companion volume containing an introduction by Andrew Hoyem and an essay and glossary by Bill Berkson, 1990.
17. On Certainty by Ludwig Wittgenstein, with an introduction by Arthur Danto and with 12 relief prints and a suite of 12 larger relief prints by Mel Bochner, 1991.
18. The Alienist by Machado de Assis, a satiric novella from Brazil (1881), translated by Alfred Mac Adam, with 12 prints and a suite of 4 prints by Carroll Dunham, 1998.
19. Kora in Hell: Improvisations by William Carlos Williams, prose-poems, with an introduction by Lawrence Kart and with 21 prints and three woodblock print scrolls by Mel Kendrick, 1998.
20. Arcadia by Tom Stoppard, the play, with an introduction by Diana Ketcham, and “Four Views of Sidley Park”, continuous-tone prints by William Matthews, 2001.