OCHI is pleased to present After Touch, Marcel Pardo Ariza’s debut solo exhibition with the gallery, on view in Los Angeles, California from September 18 through October 23, 2021. An Artist’s Reception will be held on Saturday, September 18^th from 4:00 to 7:00pm PST.

After Touch offers a suite of new photographs and installation by artist and curator Marcel Pardo Ariza. Conceptualized while sheltering in place in Oakland, CA in 2020 and actualized in the midst of transition, After Touch features lovingly composed images of Ariza’s transnational and local family, lovers, and dear ones in physical contact after prolonged isolations. They hug and kiss, they lock eyes and hold each other firmly, they play and prepare to play, they nuzzle, pressing or weaving their bodies together—all acts of reunion, pleasure, healing, and testimony.

Ariza photographs their kinship communities against an array of honey-colored, tangerine, terra cotta, or blush backdrops—a palette that emphasizes skin tones and expands skin color into the space beyond the figures. Crops of fleshy curves, hairy creases, and supple bends of unadorned and unclothed bodies assemble like an architecture of bodily contact. Ariza is acutely aware of the precariousness of representation—how it can be and is often used to restrict or control. Ariza creates support for each subject’s self-determination via anonymity through concealed faces, aliases in titles, or most notably by adhering images that feature direct eye contact with the camera-cum-audience directly to the gallery walls—restricting these artwork’s salability and their potential reexhibition.

Those not nude sport select gear—collars, corsets, hats, thongs, and platform shoes. Latex tape, rope, fetish masks, and floggers all create abstract or indirect pathways to touch—traces of a recent touch, a dissociative way to touch oneself, or the glorious anticipation of a touch to come. Since the lockdown, the meaning and methods of touch have irrevocably shifted and Ariza reifies this moment within the discourse of queerness, trans identity, and BDSM culture. “We couldn’t have imagined a time [pre-pandemic] where touch, or lack of touch, would become an act of solidarity,” says Ariza. The present time is a gift—a chance “to reimagine how we want to live, with whom, and how we can and should take care of each other.”

Marcel Pardo Ariza (b. 1991, Bogotá, Colombia) is a trans visual artist and curator that explores the relationship of representation, kinship and queerness through constructed photographs, color sets and installations. Their practices celebrate the erroneous, navigate intergenerational connection, and question arbitrary paradigms while pushing against the boundaries of photography. 

Ariza is the recipient of awards including a 2020 San Francisco Artadia Award; 2017 Tosa Studio Award; 2018-19 Alternative Exposure Grant; and a 2015 Murphy & Cadogan Contemporary Art Award. Their work has recently been exhibited at the Crystal Bridges Museum of American Art; Richmond Art Museum; San Francisco Arts Commission Galleries; Yerba Buena Center for the Arts; Palm Springs Art Museum; and the Institute of Contemporary Art San José. Ariza is a former member of the Curatorial Council at Southern Exposure, a co-founder of Art Handlxrs, and a studio member at Minnesota Street Project.

MARCEL PARDO ARIZA CV
MARCEL PARDO ARIZA SELECTED PRESS